![]() ![]() When he is done, the whole painting has accurate color except for those out of gamut areas: only those out of gamut areas are "faked" with different shades or brightness to try to make them look reasonable. What does he do in those areas? He might add a little white to his brightest yellow, or add a tinge of green in order to get some detail there. ![]() When he gets to a bright yellow flower, however, he is able to dip his brush in the correct shades of yellow for part of the flower but the brightest shades of yellow in the flower are brighter than the brightest yellow paint he has (they are out of gamut). He arranges his paint palette so that if he sees a certain shade of green for the grass in your photo, when he dips his brush into that color in his palette, the color green that is painted is an exact match to the green of the grass in your photo. Let's see how they make USE of those paints: Both of these painters (P and RC) have the exact same paints (inks) to work with when they try to paint your photo. We have two painters with initials P (for Perceptual) and RC (for Relative Colorimetric). ![]()
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